“beginnings” in Write Away by Elizabeth George
Posted by Lew Weinstein on April 15, 2007
· Open up the story by asking dramatic questions (but do not answer) · primary event – that which gets the ball roiling in the novel · begin at the beginning, before the beginning, after the beginning (permits non-linear narrative … back stories) · starting just before the beginning – must have a scene that illustrates the status quo of the main characters before the primary event occurs · start before the beginning by illustrating the character’s emotional status quo; good chance of hooking the reader · start at the beginning by introducing simultaneously both the characters and the primary event … “The bodies were discovered by …” the reader is thrust immediately into the story and the characters · start after the beginning, after the primary event has occurred · In A Great Deliverance, the novel starts with a priest on a train, going to London, reacting to some important (but not revealed) event that we will later learn was the primary event of the story · Opening scene either possesses or promises excitement, intrigue, conflict, foreshadows problems; establishes atmosphere, place, some characters (not necessarily the main characters) · must hook the reader (first task is to keep the reader reading): Follett – Key to Rebecca – opening scene introduces but does not identify character, shows aspects of the character’s behavior that are intriguing, mysterious · opening – establish place by specific memorable details – atmosphere, mood, tone · opening – illuminate theme or plot or place · opening – illustrate agendas of characters
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