“plot” in The Spooky Art by Norman Mailer
Posted by Lew Weinstein on April 9, 2007
· a novel is most alive when one can trace the disasters which follow victory or the subtle turns that sometimes come from a defeat. · to know what you want to say is not the best condition for writing a novel. novels go happiest when you discover something you didn’t know: an insight into one of your more opaque characters, a metaphor that startles you even as you are setting it down, a truth that used to elude you. · we live in and out of ongoing, and discontinuous, plots · our love of plot comes from our need to find the chain of cause and effect that so often is missing in our own existence · I look to find my book as I go along. Plot comes last. I want my conception of my characters to be deep enough that they will get me to places (which I did not plan) and where I have to live by my wits. If the characters stay alive, and keep developing, the plot will take care of itself. · most of our lives are spent getting ready for dramatic moments that don’t take place. · I no longer make up a master plan before I begin a novel. some of my best ideas come because I haven’t fixed my novel’s future in concrete. I want to keep the feeling that I didn’t know how it was going to turn out. I prefer a story that develops out of the writing. · Characters (who are alive) need to fulfill their own perverse and surprising capabilities. · I don’t do my research too far ahead of where I am in the novel. · if you get a good novel going, you have a small universe functioning, living in relation to its own scheme of cause and effect. · Planning too carefully makes it almost impossible for one of your characters to go through a dramatic shift of heart. · the artist seeks to create a spell … a feeling that he knows something deeper than his normal comprehension … a sense of one-ness · both artists and scientists are trying to penetrate into the substance of things · coincidences occur … exciting us with a livid sense that there’s a superstructure about us, and in this superstructure there are the agents of a presence larger than our imagination. · stories bring order to the absurdity of reality. Relief is provided by the narrative’s beginning, middle and end. · In analyzing novels, consider each major character, and describe where he was at the beginning of the story, where he ended up, and how he got there. · Jorge Borges has a magical ability to put plots through metamorphoses, thus posing the difficulty of comprehending reality. · writing a novel is creating a world, God-like, presumptuous, intoxicating, never comfortable.
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